In 2003 she independently produced the public service advert featuring 16 icons including Zakir Husain, Amitabh Bachchan, Sachin Tendulkar, Aamir Khan, Ashutosh Gowariker, and M.F. This alone makes Rohena Gera’s Is Love Enough? Yet there are more similarities between them than they would know. This Rohena Gera film stars actors Tillotama Shome and Vivek Gomber in lead roles. ", "Cannes 2018 : " Monsieur ", une attirance à huis clos", "Cannes: Watch Exclusive Clip From Camera D'Or Contender 'Sir, "Cannes 2018 : la Semaine de la critique couronne " Diamantino, "Festival de Cannes. Rohena Gera's Sir is a Touching Tale About Love and Class Divide by: Lagan Mangla; January 10, 2021 - 7 days ago Source: The Guardian Perhaps the most important motive of a film is to introduce the audiences to a world which they would not otherwise be able to witness and in doing so make them also empathise with that world and its characters. With Is Love Enough? ‘Sir’, directed by Rohena Gera, is a simple slow-burn story about the unlikely camaraderie between Ashwin, a middle-aged bachelor whose wedding was recently called off and his widowed maid, Ratna. It makes him— and us— see her as a person. Sir (2020). Rohena Gera on using love as an equaliser to question class divide in Sir: 'Wanted to stick to the truth of the characters' A prosperous young Indian man falls in love with his … (2013) and Kuch Naa Kaho (2003). [4][5], Rohena Gera presents her film Sir (Monsieur) during the Cannes Film Festival 2018, in the selection of La Semaine de la Critique. Sir. In 2013, Rohena Gera wrote and directed her first documentary What's Love Got to Do with It? Mumbai brought him back under compulsion and fettered him. Both have been afflicted with loss. The film, directed by Rohena Gera, attempts to bridge hierarchies in the social ladder, which the title Sir squarely puts as a marker of social reality. A witty documentary on marriages in India", "Modern Indian Marriage: What's Love Got to Do With It? Rohena Gera’s Sir Delicately Deconstructs The Language Of Love Ashwin is the employer and Ratna is his live-in housemaid. Sir is streaming on Netflix), The Indian Express is now on Telegram. The film reveals this understanding by treating the unbearability of endings with the lightness of a new beginning. It is this twisted assumption which sustains the premise of star-crossed lovers as the most familiar trope to be rallying for. Gera not just deconstructs this preexisting depiction but also constructs a new one. The velocity and effectiveness with which this is done approximate the intensity of the emotion itself. Director Rohena Gera says she wanted to explore the story of class divide with "Sir" through love as she believes that when two people fall for each other, everything else, including the societal divide, blurs. It is this twisted assumption […] The Mumbai-set film probes the relationship between the scion of a real-estate family and a live-in maid who cooks and cleans for him. Also read: Who is Elizabeth Debicki? We see Ratna not the way others see her but also the way she is: her ambition to be a fashion designer, her willingness to learn and her aspiration to become. The film, from Indian screenwriter and documentary director Rohena Gera, is well-paced and properly sentimental. She holds on to this integrity even when both are in love and he, fortified by it, is ready to face the world on her behalf. [1], In 2003, Rohena Gera made her screenwriting debut for the first season of the Indian comedy-drama television series Jassi Jaissi Koi Nahin on Sony Entertainment Television.[2]. The complete embodiment of Ratna by Tillotama Shome is what makes Sir brilliant. IS LOVE ENOUGH, SIR (2020) Rohena Gera Pertama kali tonton movie tentang maid bermajikan lelaki bujang. [7][8][9] Two opposing worlds will have to live together. That there are so many reasons for two people not to be together makes their union so gratifying. Sir is a 2018 film that recently released on Netflix. Unlike Ashwin she knows not all ends are endings. In a way, if love’s biggest incentive is togetherness then its purest purpose is to upend all hurdles which prevent that. Sir — an uplifting and heartbreaking film revolving around the unlikely bond between a house help and her employer— a love story for the ages. November 18, 2020 Love thrives in conflict. “Who does not love a good love story?” Gomber, whose producing credits include internationally acclaimed films Court and The Disciple, asks rhetorically. When we meet Ratna and Ashwin (Tillotama Shome and Vivek Gomber) they are already together. The focus then is to find the other person to elevate the ordinariness of lives to the extraordinariness of a story. Directed by Rohena Gera. Written & Directed by Rohena Gera. The director takes an intimate look at the human quest for love and happiness, capturing social obligations or pressures within the Indian family. But there exists an island between them. So when I sat down to watch Sir at NYIFF 2019’s opening night, I was not surprised by the central theme of the film, a love story between a ‘wealthy’, upper class man and his ‘poor’ live-in domestic help. In films, love is always deemed as a solution, its enoughness instinctively assumed and never questioned. This time it is Ashwin whose gaze lingers long after she has left. But love also thrives in hope. [3] The story mixes the stories of eight unlikely candidates who are each in line for an arranged marriage, playing with the rules that often reinforce the status quo of class, caste and gender. Rohena Gera is a writer and director, known for Sir (2018), What's Love Got to Do with It? – Fondation Gan pour le Cinéma", https://indianexpress.com/article/express-sunday-eye/rohena-gera-sir-jassi-jaissi-koi-nahin-5239961/, https://en.wikipedia.org/w/index.php?title=Rohena_Gera&oldid=1000047125, Cleanup tagged articles with a reason field from March 2020, Wikipedia pages needing cleanup from March 2020, Wikipedia articles with PLWABN identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Stanford University, Sarah Lawrence College, Cannes film festival, Semaine de la critique, Gan foundation award, SIR (Monsieur), Grand Jury award, International film festival of Saint Jean de Luz (execo), SIR (Monsieur), Audience favourite award, International film festival of Saint Jean de Luz, SIR (Monsieur), Best film, New York Indian Film Festival, SIR, Best actress, New York Indian Film Festival, Tillotama Shome (SIR), Mill Valley Film Festival, California, Audience Favorite Gold (World cinema independent), Sir, Birmingham Indian Film Festival (UK), Audience Favourite Award (Sir), Braunschweig Film Festival (Germany): Audience Choice Award SIR (Die Schneiderin der Traume), World Cinema Amsterdam Festival, Audience Choice Award, SIR, Cabourg Film Fesival (France), Audience Choice Award SIR (Monsieur), Best Film, Dallas Fort Worth South Asian Film Festival, SIR, Best Director, Dallas Fort Worth South Asian Film Festival, Rohena Gera (Sir), Best Actor, Dallas Fort Worth South Asian Film Festival, Vivek Gomber (Sir), Brussels International Film Festival, Best Actress, Tillotama Shome (Sir), Festival Version Originale (France): Audience Favourite Award SIR (Monsieur), Festival du Cinéma de la FOA (France): Audience Favourite Award SIR (Monsieur), This page was last edited on 13 January 2021, at 07:56. The documentary is selected at the Mumbai Film Festival. Disclaimer: The following post contains spoilers from the movie SIR. Rohena Gera, Writer: Sir. Along with similar movies like Sadak 2, Tanhaji: The Unsung Warrior, and Thappad. (Is Love Enough? Audience Reviews for Sir. made its Netflix debut to a warm, positive response. It is both the trigger and the shield, the reason and the purpose, the beginning and the conclusion. Widowed at the age of 17, which implies definite halt in a woman’s life at her village, she did not succumb to fate but made something out of it. Rohena Gera’s internationally acclaimed debut feature, ‘Is Love Enough? After receiving huge acclaim and awards for ‘Sir’ (2018) at multiple film festivals, news has it that film maker Rohena Gera will be getting further support from ICM Partners to take the film further around the world. Rating: ****(4 stars) There is something inherently distasteful and eye-rolling about the idea of a well-to-do eligible single man falling in love with his live-in house-help in a Mumbai highrise . In a way, if love’s biggest incentive is togetherness then its purest purpose is to upend all hurdles which prevent that. Till then love is enough. She does not bear the narrative burden to be a concept with the sole preoccupation to reflect social inequality, neither does she want to be rescued. The only two words she shares from his lexicon denote acknowledgement and subservience: thank you and sorry. Both are bound by their duties as siblings. Rohena Gera studied at Stanford University and Sarah Lawrence College. Their chosen tongue differs. [6] While Ratna is working as a servant in the luxurious house of Ashwin, the son of a wealthy family from Bombay, she observes the drift of this lost man in a seemingly perfect life. The people involved are living their own stories, especially Ratna who is at the heart of the film, lending her tone, if not her name, to its title. She works as a scriptwriter for Indian cinema. Sir is the first feature film directed by Rohena Gera, earlier she has worked as a screenwriter on popular TV show Jassi Jaisi Koi Nahi and has made a documentary named What’s Love Got To Do With It?. For the Hindi-film buffs, the year has started on a high note with Rohena Gera’s directorial Is Love Enough? She is a widow and he has just called off his marriage. It is a beautiful romance movie that also talks about social issues and society. He has ten different ways to call her, she has only one: sir. She pays for her younger sister’s education, he has come back from New York to take care of his ailing brother. There is not one story here. Ratna hails from a village, where she was unceremoniously married off, simply because the groom didn’t expect dowry. 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